Psalm 29

How long should an artist pursue an idea? a dream? a vision?  

The "idea/image" came to me in a flash of inspiration, but getting that image on the block was going to be quite a journey.
  

I knew that I wanted to pay homage to Hokusai's great print, but how?  Lino seemed way too cold and a rectangular woodblock just wasn't exciting me, until I helped a neighbor cut down a tree and saw him slice off a chunk.

 Aha, that was it!  

I then set off on a journey to find the perfectly shaped stump that would inspired me and do honor to the image.  After a few hours of searching and a long explanation to the guy selling fire wood that I only wanted a "slice" of a log, I had three perfect slices.

But then I quickly realized two things: one was that these slices were not of an even and consistent thickness, and two was that they were far from dried wood.

First, let's get my favorite stump slice dried!  So I left it in my hot car all day long.  Uh oh, it's cracking, what to do?  The it dawned on me, this fits right into the Psalm even better;
⁵ The voice of the Lord breaketh the cedars; 
yea, the Lord breaketh the cedars of Lebanon.
 I could make this work I was thinking, now to get the thing leveled.

Sweet Jesus, it's cracking even more!  OK, I can still make this work.  I think.  It took me a total of two weeks to finally get this block level, sanded and to stop it from splitting apart any more.  BTW, it usually takes me less than an hour to prep a block.

Oh, and I almost forgot to mention, the image I wanted to carve wasn't working on the first stump slice, it was splitting in an awkward way.  So I had to start all over again with one of the other slices.

 So, here is the image drawn on the block, prior to carving.

And, the finished carved piece (which still was not perfectly leveled, but good enough to work with).

OK, now many months later, I am finally ready to print!  The final printed image almost made me weep, I was so happy that it came out like it did.

Printed with Graphic Chemical black water based ink on a sheet of 15" x 22" Zerkal Book off white 145gpm paper.

Getting the ink to distribute evenly on a warped block was a nightmare, so I glued the block to a piece of 3/4" plywood and weighted the sucker down for a week.

And printed again.

Here are a few random pictures of the illumination process:

 And here is the final, full size illuminated manuscript:

Quite simply, this image is a gift from God, in it's totality, truly a gift.

Please leave a comment below.

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Psalm 28

^{2 "} Hear my cry for mercy as I call to you for help,"

In my mind, whenever I consider what is going on in the world today, I imagine the events as swirling, angry and invasive "winds".  When I consider my safety or harbor, I see the cross.  But many times, too many times, those winds try to invade my harbor, my safety.

But the cross remains: sturdy, strong and never bending or breaking.

I tried out so many ideas and techniques on this print and wood block that I felt like it was an experiment.  But the final image, when printed, came out so cool and so detailed that I kept it as a final, completed Psalm.

I used cherry wood for the block, finely sanded and prepared.  Still using mainly an ex-acto knife, my only other tool was a very sharp and very lethal tungsten needle.  I started off merely marking the lines with the steel needle very lightly, then decided to go back over the lines multiple times, going deeper with each "scratch" until the void was deep enough for printing.


For all my printmaking buddies, the paper was Zerkal 145 lb. off -white book, cut in half for a paper size of 18" x 30".  Block was printed with Graphic Chemical water soluble black ink using the Western method of a brayer and dry paper.  I do not use a press for the impression, just good old school muscles with a wooden spoon and glass of whiskey.

The decorative initial and color choices for the illumination were inspired by the image.  I used just plain old water based paints from Michaels Crafts and a very teeny tiny paintbrush.

I wish you could see the original images, the gold never scans correctly, but looks awesome!

Here is the final image in all it's glory.  Let me know what you think.

Psalm 26

This is one of my most exciting Psalm's to date.  I stretched myself visually and artistically, creating an image I had no idea if I could even carve, let alone print.

There were so many parts of this Psalm I could have focused on, or the Psalm as a whole could have been envisioned and drawn.  But I decided on a verse, and an image, that was a little more obscure.

^{4 "} I have not sat with vain persons, neither will I go in with dissemblers."

Per my favorite, Merriam-Webster online dictionary,

1: to hide under a false appearance

2: to put on the appearance of : simulate

intransitive verb

: to put on a false appearance : conceal facts, intentions, or feelings under some pretense 

And the shoes, ah the shoes!  In very many countries, cultures and backgrounds, putting shoes on top of something, even throwing shoes, is meant as a sign of disdain and disgust.  So, I decided to place a pair of shoes on top of a selection of books, that in my opinion, propagate dissembling.

 Here is a close up of the print itself.  This was created on linoleum, the total image size being 6.25" x 8", and carved almost exclusively with an x-acto knife.  

My goal, how thin can I carve and print?  The lines came out nicely and I used Graphic Chemical water based black ink for the printing.  But, in my opinion, the linoleum has too much give to create a line as "tight" as I would like, but it still came out quite nicely.




The decorative initial and illumination are also something new for me.  I decided to go with silver rather than gold, and I also decided to go with colored ink rather than paint.  I also decided to go back to just straight calligraphy, without much embellishment.

 









  


And here is the final, complete image!  

Psalm 25

It has been far too long, I know.  But I had the visions and desire to design, carve and print more than illuminate, so that is exactly what I did.  Currently I have carved up to Psalm 34 and printed up to Psalm 31.  Now back to some illuminating!
Following is Psalm 25, a joy to design and carve (on cherry wood). Unlike some of my illustrations, this one is not as direct and simple.

I experimented with background using different grades of sandpaper (although at times I will admit to being a little too heavy with the hammer).  I started with 160 grade and worked my way up to 220 grade.  I was intent on making the upper portion brighten than the lower, as if the climb were into heaven itself, but not all the way mind you.

The verse that touched my heart was "Show me your ways, Lord, teach me your paths."

Since the road of life seems to never be straight or easy,  I instantly envisioned a staircase, not an easy gently sloping one, but a twisty, turning and straight up staircase.  

The Decorative Initial first.

I found the graphic in an old book, then modified it to fit my design.

The colors did not transport over as well as I would like, the red is deeper and the blue not so,
blue.

A careful eye will notice a slight mistake I made 
in the calligraphy, but I won't point it out for you.


 
The illumination was a blast, difficult to paint but fun to design!

 
And the full image, enjoy and comment please!

The Evolution of Psalm 11

Hello again, it has been awhile.
Being a finance person, who mainly finances commercial construction equipment, has left me rather frustrated as of late. Either no one wants to buy anything, or the banks won't approve those who do want to buy.
But I always have my carving, designing and printing, so all is not lost.
I have found that God always provides.
O.K., on to the print. After studying forever, I finally "saw" the image in my head. Not the completed image, but at least the idea of what I wanted to convey.

I was reading and the it came to me; that even though we think the world is falling apart and the church is crumbling, God is still in charge and watching from the heavens. I had to do some research to find an old stone arch as an example and came up with this one:

So, now I had to turn this into an old crumbling church. This is the first sketch i came up with:

I also wanted to figure out the sky. I have always loved this background, and have used it a few times in the past, but never to this degree.

I decided to try a variation on the idea, but really wasn't as pleased with the result. I liked it, it looks really cool,but it wasn't really right for this design. I am sure by the time I am done with this series, it will get used again.

I also decided to add the eyes to the clouds. Trying to introduce the idea that God is watching, He sees what is going on, he knows the truth:

But what do I do with the foreground?

That was driving me crazy. I tried this, but rejected it:


I you can see, I changed the background again.
But the grass in the foreground just didn't work.
Everyone had an opinion, all of which I rejected.

So I set the block aside and waited.

I decided to go ahead and start the block, begin carving, and pray for an answer before I got to the bottom of the print! Risky, I know, but ....


Here is the image with the background all carved out. If you will look close, you can see that I hid the title in the print, kinda my own "where's Waldo" homage, or just copying Durer, but with the title instead of my name.

Uh oh, I just realized I never scanned the final block with the foreground solution!

Well, guess you'll have to wait. I'll try to post it soon, along with the beginning of Psalm 12, which is already being carved.

I really need to start printing again, so I can move on to finalizing the complete layout of the page image. Who knows, maybe someday someone will make this into a book.
Until we meet again, Shalom.